Can we talk about research, please?! Alongside my fiction writing I'm very slowly researching two separate non-fiction ideas. One has slid onto the back burner as I really need to do in-person interviews to progress it so that will be post-vaccine, I guess. But the other is very much go. It concerns events and real people's experiences in the 1940s in both the UK and USSR. I'm looking for suggestions to add to my list of research sources.
Hi, I'm hoping someone could give me a few pointers! I usually write fiction in the psychological crime genre. I have also written an adventure series for middle grade. I have now been approached by an acquaintance to write their memoir. This is totally new territory for me and i have explained this to the lady in question. She has contacted me today to ask if I would commence interviews and discuss the matter further. I have agreed to meet up next week. I mentioned that she might like to think about the 'thread' of her memoir, whether she would prefer to focus on a particular time, place or indeed person upon which to bring her anecdotes together. Also, she should consider her audience, whether this project is for herself, her family or indeed a wider audience. The problem I have (one of many - eek!) is that she has mentioned an hourly rate. This type of writing is new for me so I have no idea what to charge and in what format. I plan to record interviews with her and have advised her as such so hopefully this will simplify the interview process and provide me with a 'takeaway' experience of her stories and her own voice with which to work. Does anyone know whether it is usual for example to propose a fixed amount of hours per week/month or would a word count fee be more appropriate. I don't want to undercharge for my time but I want to arrive at a pricing framework that is fair to the client as I am a novice within this genre! Any suggestions/advice would be very gratefully received. Thank You!
I have three one-to-one sessions coming up to pitch my memoir. We're asked to upload a query letter, synopsis and first 5,000 words. I read in a FB group for non-fiction writers that a non-fiction/memoir synopsis is actually a chapter breakdown plus a "sample chapter and a book proposal, which must include an outline, target audience, marketing ideas including your “platform,” some comparable titles and how your book differs from them, and a short bio that explains why you are uniquely qualified to write this book."
Hi there, I'm hoping to create an impactful and relatable memoir/collection of essays based on my experiences living through motherhood with mental illness and chronic pain. My mission now is to collect all the essays/writing I've done over the last six years on this subject (published on websites and my own blog) and try to organize it into some sort of cohesive form. Is there anyone in the group working on something similar? A memoir? A collection of essays? Would be grateful for any tips and advice! Thanks, Tara
I’m writing my first non fiction piece. It covers a series of events over 15 years which I played a small part in. The narrative is supplied from quoted testimonies of those involved, interwoven with the historical facts which provide the background. For each section of dialogue/testimony, I introduce the subject (ie, ‘Fred Davis was one of those involved, he recalls: “blah blah blah”’). The slight issue I have is that some of the testimony comes from myself.
It certainly isn’t enough to write the entire book in the first person (my involvement covers a few years of a 15 years story, and it really isn’t ‘my’ story to tell in this way), switching to first person just for my bits seems awkward, and writing my name feels weird (‘Tom Harris remembers: “blah blah...”’). I’m wondering if refering to myself as ‘The author’ is the best approach, or whether there is a ‘correct’ way of approaching this?
If anyone has any thoughts or ideas, they would be very gratefully received.
I'm of the same generation as Lajazz. My self-published story is from two generations earlier. The next book will tell of the between war years ~ 1920 to 1939 and, assuming I get that far, then the war years. The main reason I self-published was that I wanted to meet the 100-year anniversary date of the events described. I have made a number of mistakes on the way. One was not to plan and initiate my marketing strategy before publishing my book. So now I have to catch up and learn how to market on-line.
I have read your page and a bit and I find it engaging and would almost certainly read more if it was available. It has a strong element of nostalgia in it for me. However, my generation can't be the main target readership. There are not too many of us left.
Herewith a link to the first very short chapter of my autobiography covering the first 25 years of my life. It tells of the day-to-day life of an ordinary family in the post war years (so very different in every way from life today) and how a loving family deal with tragedy when it eventually strikes. It covers the topic of assisted dying. I've written it in the present tense in the voice of the young me growing up so that voice changes as the girl matures. I've done this as I feel it's more immediate and lets the readers compare for themselves the differences between their lives and that of someone living in the mid twentieth century.
Had it professional critiqued some years ago. Great praise for every aspect of the work and the comment that they very much wanted to know what happened next, but then the killer! It didn't stand a chance of publication because it wasn't commercial enough.
I'm wondering if that's still the case so I'd be interested in any comments you'd like to make on style and commercialism.
Hello Everyone I'm currently writing my non-fiction narrative concerning my work as a crime and trauma scene clean up technician and business owner. There was one book written several years ago by acquaintances in the biz who hired a horror-fiction writer. The book did poorly, but it very graphically described all the blood and gore. I'm sure it was written as a shock piece. Mine is much different as I'm striving to show the humanity and personal stories surrounding the events I was called to handle. I do describe the scene but in more generic terms, less graphic but hopefully enough to know what we're walking into. Right now I'm sitting at 22,500 words and planning for 40,000. Since I've decided to take this venture seriously I've added in the neighborhood of 11,000 words since January. My job as a marketing manager and content provider for the company I'm working for takes quite a lot of energy and creative time. This line is about 6 hours later than I started this morning. As an example of the job stealing my time for writing, the Covid 19 flu has thrown a monkey wrench into my plans this week as we have a couple of cases in the Kansas City area now, so, all the schools and large multinational firms are wanting our (my) attention to either disinfect or to work with their teams to build pre-event agreements. Oh well C'est la vie.